10M, TRINITY …もう手放すことはできません。
「ぼくの楽しい箱庭が広～くなって、さらに HD 化しちゃった！」
多田雄太 & 能瀬秀二
I’m very familiar with what clocking does to the audio; that was one of the reasons I switched to Antelope initially.
One of the most prominent names in mastering worldwide uses Trinity master clock in his Hollywood & Tokyo Studios.
Since they arrived at The Lodge, the Iscochrone 10M Atomic Clock and the OCX-V are probably the hardest working pieces of gear in our studios!
Michael Brauer tells the interesting story of how he was introduced to 10M Atomic Clock.
Jonathan Davis - Korn
The TRINITY & 10M combination is the best f****n thing i've ever f****n heard.
Its an extremely valuable piece of mind to know that all your digital equipment is clocked from a master clock of the very highest quality and you can get on with being creative!
Vlado Meller - Universal Mastering
Not too many gadgets in this field impress me after all these years in the business, but this was impressive.
The sound engineer of Coldplay shares his first experiences of working with Antelope Audio clocking. He uses the notorious 10M & Trinity combo.
The first time I heard the Trinity and 10M it was like getting my music naked.
...the sonic image, the precision and the transparency of my audio chain has been highly improved.
I can only say the overall effect is truly more "analogue" somehow and every studio should have one!
I noticed an immediate change in my soundspace the minute I heard the 10M plugged into my OCX-V.
I noticed the difference immediately. The stereo image became more open...
Fred Maher - DTS Inc.
I found that since we added Trinity as the master clock at DTS, our system's soundstage is greatly enhanced.
The first thing I thought after hearing the OCX-V & 10M was how could I not have this.
...is like taking earplugs out of your ears and hearing what is really being recorded...
Antelope Audio clocks allow the audio equipment to deliver its full potential, there are other products on the market but I had never heard anything comparable.
Without the Antelope clocks, the stereo image seemed smaller, the brightness, the higher frequencies less defined, the lows less precise and less fixed.
When it comes to stability, flexibility and reliability there is simply no way around the 10M and Trinity.
Even my clients hear the difference. ...they speak about more solidity in the bass, reverbs that are more detailed.
There's just more space with the 10M. More room for things to breathe.
...it only took a bit of A/B 'ing to realize that it needed to be a permanent part of my protools rig.
I noticed an immediate difference. Imaging became wide and clear and the bottom end seemed tighter and more defined.
Crispin Murray and Miles Showell
A 10M Atomic clock feeds all 6 Trinity HD master clocks residing in the 6 mastering rooms of Metropolis Group in London.
I heard the difference with the new clock almost immediately, and kept asking to switch back and forth between the Antelope and my old Big Ben.
Now I have a very accurate system, wherever I'm recording or mixing, the 10M & Trinity combo is always there for me.
A good clock is to any working composer's studio what a good bow is to a good violin, they need each other.
Nick LitwinNick Litwin
I could not believe that a clock alone could make such a big difference in sound quality!
It just took us seconds to realise that the Trinity plus the 10M Master clocks from Antelope make a tremendous difference in the sound quality.
Gerd Ekken Gerdes
OCX-V is the core of my studio setup.