Isochrone OCX

Audio master clock, maintaining stability and preserving sonic integrity

It is crucial that a master clock be flawless, and the Isochrone OCX exists to meet this need. Uncompromised design has created the most stable, best sounding master clock available.

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A new quality standard in professional
master clocks

The Antelope's Isochrone OCX emerges as the new quality standard in professional master clocks. A master clock is the heart of the digital studio, essential to maintaining stability and preserving sonic integrity.

Jitter Management Module

Low jitter operation is critical in the modern studio. Antelope's Jitter Management Module implemented in Isochrone OCX makes jitter essentially nonexistent. Adaptive Loop Filtering is taken to the next level with a sophisticated DSP Based Multistage IIR filter, ensuring a jitter free, great sounding studio.

Oven-controlled environment

Oscillator accuracy is compromised when exposed to temperature fluctuations. The Isochrone OCX addresses this completely with oven control. The oven's temperature controlled environment allows unparalleled oscillator stability.

Atomic clock input

The Isochrone OCX can be locked to the most accurate clock on Earth - the Atomic clock. A studio can truly achieve perfect stability with the power of Atomic Clock. The OCX, OCX-V and Trinity are the only Master Clocks capable of locking to this unprecedented technology.

OCX Master Clock Front and Rear panels

OCX Master Clock

Oven Controlled Discrete Transistor Crystal Oscillator for lowest jitter
Atomic Clock Input resolves to Rubidium Clock for perfect stability
Jitter Management Module improves sonic performance
Sample Rates 32-192 kHz
Factory calibrated to better than +/- 0.02PPM accuracy via Atomic Clock
Can be recalibrated in the field to an Atomic Clock for better than +/- 0.02PPM accuracy
W/Cx256 "Superclock" Output for Digidesign Pro-Tools systems
Outputs multiple, divisible sample rates
8 Word Clock Outputs
2 AES/EBU Outputs
2 S/PDIF Outputs
In The Box Isochrone OCX
Power cord
Owner's manual
Warranty card
Dimensions Width: 483 mm/19”
Height: 44 mm/1.75"
Depth: 175 mm/7"
Weight 2.3 kg/5.1 lb

...once I heard it I knew I had to buy one!

I've used other clocks in the past and it's good to know that everything is synced but never noticed any real difference in sound quality. When I was mastering the new Underworld album with Miles at Metropolis he recommended the Antelope clocks as Metropolis recently purchased 6x Antelope Audio Trinity clocks and the 10M Atomic Clock from Unity Audio, and that I should check them out.

I had a mix running at my studio, which was sounding good and when I hooked up the OCX and hit external on my SSL Alpha link interface I noticed an immediate difference. Imaging became wide and clear and the bottom end seemed tighter and more defined. In the top end a clearer more focused sound.

Then I groaned, because once I heard it I knew I had to buy one! I'm also looking forward to the difference a 10m would make!

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Simon is one of the UK’s leading mix engineers. Over a career spanning 23 years he’s worked with a wide range of the world’s top selling recording artists. In 2006, he was awarded a Grammy for his work on the U2 album “How To Dismantle An Atomic Bomb” which won the coveted “Album Of The Year” award. In 2007 Simon opened his own SSL equipped production and mix room, Hub II.

Recent mix projects include the “Barking” album, a Manic Street Preachers remix and the Danny Boyle directed NT production of “Frankenstein” with Underworld, various N-Dubz tracks including “I Need You” and Athlete’s “Somewhere Beneath My Skin”. http://simongogerly.com