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Santa Monica, CA, May 15, 2013 – Antelope Audio is pleased to announce the appointment of Audio Chocolate as its new distributor for Australia, for its entire range of products. Antelope looks forward to working closely with Audio Chocolate to support the existing user base and to substantially grow the brand going forward.
Audio Chocolate is a 14 year old distribution company of both Pro Audio and Audiophile product in Australia. The company supplies and supports audiophile, pro audio and turnkey solutions for home users, musicians, recording studio facilities, live, broadcast and education markets.
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Category Archives: Last news
Mikkel Heimburger Forays Into High Profile Movie Trailer and Sound for Picture Projects with Antelope Audio Orion32
Santa Monica, CA, May 8, 2013 – Mikkel Heimburger is a sound for picture composer focusing primarily on movies, film and television commercials and advertising. During the last several years, he has successfully repurposed his audio career, having previously been an engineer/producer, focusing on the pop music scene. Recently, Heimburger has been working on several high profile projects. He placed a song in the latest Al Pacino film Stand Up Guys, and composed, performed and mixed the trailer score for the most recent Muppet Movie. Each day he relies on his Antelope Audio Orion32audio interface as the cornerstone of his Los Angeles-based studio
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Antelope Audio’s Orion32 Interface to Demonstrate New Features and Upgraded Capabilities at the Musikmesse in Frankfurt
Santa Monica, CA, April 3, 2013 – Antelope Audio’s Orion32 interface, the world’s first 32-channel AD/DA converter and audio master clock in a 1U rack, will be the company’s flagship at the upcoming Musikmesse in Frankfurt, April 10 – 13, 2013. Antelope team will demonstrate exclusively the new and upgraded features of the audio interface which had become a best-seller in only 3 months after its launch, at Hall 5.1, Stand C74.
The mixer, elegantly integrated within the control panel, provides extremely low latency mix and monitoring that can be distributed using the control panel, allowing it to be routed from any output of the Orion32. For example one can drag all 32 USB play channels to the “mix channels” and then the MIX L/R inputs to DAC 1 and 2, providing a stereo bus mix to DAC channels 1 and 2. The Zero Latency Mixer provides the basic functions of a real mixer such as: Solo, Mute, Pan, Volume Level controlled by faders and a Master Fader, so one can easily make a stereo mix.
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Experience Real Mastering Files on a Mastering Quality Set-Up Brought to you by Amphion and Antelope Audio
Santa Monica, CA, April 2, 2013 – Amphion and Antelope Audio are co-exhibiting in room 117 at the National AV Days at the NH Conference Center Koningshof in Veldhoven, The Netherlands, April 6-7, 2013. The two brands will demonstrate a very reasonably priced mastering-quality set up easily fitting any larger or not so spacious room.
The visitors will be able to listen, and experience the clearly articulated pitch and the spectacular soundstage brought by Antelope Audio’s 384 kHz USB D/A converters. As a reminder of high fidelity´s original goal, the public will have the chance to listen to original studio masters, from the same speakers on which they were mastered. Amphion Two15 studio monitors, as well as all other Amphion loudspeakers, use the innovative waveguide technology and controlled dispersion, which allow speakers to work in all acoustic spaces.
Antelope Audio’s Integrity Line of D/A converters, is especially designed to suit the diverse demands of hi-fi enthusiasts, high-end audiophiles and professional sound engineers. Zodiac DACs’ unique transparency, openness, clarity and depth inspire multiple Grammy Award Winners and Nominees like Jim Anderson, Scott Hull, Howie Weinberg and Morten Lindberg to choose them as their favorite reference converters, both for their studios and their homes as well. Together with speakers like Amphion Two15 this allows you to hear the music just as the mastering engineer and musicians intended.
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Howie Weinberg Relies on Antelope Audio for «The Best Clocking and Conversion Money Can Buy»
Santa Monica, CA, March 28, 2013 – Following his 30 year career as head mastering engineer at Masterdisk, where he mastered The Ramones, The Red Hot Chili Peppers, U2, Public Enemy, The Smashing Pumpkins, Beastie Boys, Herbie Hancock, Nirvana and so many others, Howie Weinberg has established himself as one of the most in-demand mastering engineers in the world. His success led to him opening his own facility in 2011, appropriately named Howie Weinberg Mastering.
The new facility, located in the Laurel Canyon Hills of Los Angeles, features a selection of the best digital and analog gear available in the world. For his clocking and conversion needs, Weinberg depends on Antelope Audio’s rock solid Isochrone 10M|Trinity combination, in addition to Antelope’s Zodiac+ and Eclipse 384 digital audio converters (DACs).
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Amphion and Antelope Audio team up for the Bristol Show to demonstrate the most transparent, neutral and detailed home audio system
Santa Monica, CA, February 12, 2013 – Amphion and Antelope Audio are co-exhibiting in room 424 at the Sound & Vision Bristol Show in the United Kingdom, February 22 – 24, 2013. The two brands known for their neutral, yet musical and detailed sound are going to demonstrate a few different set ups, starting from mastering quality to easy-to-use desktop systems.
The visitors will have the chance to see for the first time in the UK the winner of the CES Innovations 2013 Design and Engineering Award, the world’s first 384 kHz digital audio preamplifier with integrated atomic clock — Rubicon. The Atomic AD/DA Preamp will be on display and people will be able to see up-close its retro-futurist silhouette and learn more about the benefits of the precise atomic clocking and Antelope’s proprietary jitter-management technologies. The audience will be introduced to the versatility of the Rubicon, offering AD/DA conversion up to 384 kHz; transformer-based, ultra-low noise, discrete JFET phono preamp; DLNA streaming and remote control capability; ultra linear, dual stage headphone amplification and the highest quality of digitizing and storing of analog records through the custom-built USB chip.
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Antelope Audio to demonstrate Its Series of D/A Converters at the High-End Audio Show in Alkmaar, The Netherlands
Santa Monica, CA, February 7, 2013 – Antelope Audio is exhibiting at the High-End Show in Alkmaar, The Netherlands, February 16 – 17, 2013. The company known for its precise audio master clocks, favored by most prominent A/V facilities around the globe, is demoing its line of audio DACs, supporting USB streaming of sample rates up to 384 kHz..
Antelope Audio’s Integrity Line of D/A converters, is especially designed to suit the diverse demands of hi-fi enthusiasts, high-end audiophiles and professional sound engineers. Zodiac DACs feature a plug-and-play custom design USB interface, allowing seamless connection with iPad, Mac , PC or just about any other digital media source. The DACs also feature the renowned Antelope Audio 64-bit Acoustically Focused Clocking technology and oven-controlled oscillator, which have secured the company’s reputation as the clocking leader in the pro audio industry.
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Eleven-Time Grammy Winning Producer/Mixer/Engineer Rafa Sardina Relies on Antelope Audio Clocking Technology
Santa Monica, CA, January 22, 2013 – Rafa Sardina is one of the most in-demand producer/mixer/engineers in the USA and over the course of his storied career he has scooped up no less than eleven Grammy Awards for his work with the most successful artists in the world (Lady Gaga, Beyonce and Shakira amongst them). Several years ago, Sardina opened his own commercial studio, ‘After Hours,’ to provide his elite clientele with a creatively inspiring environment where they could access the best equipment in the world, with Sardina himself at the helm. Antelope Audio’s clocks were among the core ‘building blocks’ of “After Hours’ technical infrastructure.
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Компания Antelope Audio удостоена награды CES Innovations 2013 Design and Engineering Award за «атомный» АЦ / ЦА предусилитель Rubicon
CES 203 2013 Innovations Honoree
Rubicon стал ответом Antelope Audio на возрастающий интерес потребителей к аудио высокого разрешения. В нем учтены все потребности энтузиастов высокотехнологичной пользовательской электроники в точном построении звука и подробной «звуковой сцене» при воспроизведении как аналоговых, так и цифровых записей. «Rubicon» – первый предусилитель с ЦАП, имеющий рубидиевые атомные часы, точность которых по сравнению с обычным кварцевым генератором увеличилась в 100000 раз.
«Это невероятная честь – получить премию CES Innovations Design и Engineering Awards», – заявил Игорь Левин, генеральный директор и основатель Antelope Audio. «Рубикон, безусловно, стал выдающимся инженерным решением и для нашей компании, и, что более важно, для потребителей, так как он значительно улучшает общее звучание».
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Antelope Audio представляет Orion 32 — первый в мире 32-канальный ЦА/АЦ преобразователь и устройство синхронизации Master Clock в стойке 1U
Санта-Моника, Калифорния, 22 октября 2012 – Компания Antelope Audio представляет Orion 32, первый в мире 32-канальный АЦ / ЦА преобразователь и устройство синхронизации Master Clock в стойке 1U. Новое устройство поддерживает как MADI, так и USB интерфейсы и работает на основе собственной разработки Antelope Audio — 64-битной технологии акустически ориентированной синхронизации (AFC).
Orion 32 поддерживает ввод/вывод потокового 32-канального цифрового аудио с частотой дискретизации до 192 кГц. Использование специально разработанного USB-чипа обеспечивает простое подключение к цифровым рабочим станциям (DAW), имеющим USB-порт, а также к персональному компьютеру. 32 канала 96 кГц, работающие через оптоволоконные входы/выходы интерфейса MADI, можно использовать для подсоединения к любым устройствам, оборудованным интерфейсами MADI.
Orion 32 поддерживает протокол ADAT и имеет 16 ADAT входов/выходов для совместимости с еще большим количеством аудио устройств. Входы и выходы многоканального преобразователя передают аналоговый сигнал через 8 25-контактных входных/выходных разъемов D-SUB.
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