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Los Ángeles, California, 21 de Agosto de 2012 — Korn revolucionó el mundo del nu metal a finales de 2011 cuando la banda de L.A. lanzó su décimo álbum de estudio, “Path of Totality”, incluyendo colaboraciones con una serie de productores de dubstep incluyendo al ganador de varios premios Grammy Skrillex. Ahora el líder de Korn, Jonathan Davis, se la juega con su reciente comentario “el dubstep norteamericano es el nuevo heavy metal electrónico” a través de un proyecto paralelo, Killbot, y un proyecto solitario bajo su nombre de DJ, J Devil, grabando en un portátil en la carretera y en el estudio usando el nuevo convertidor, reloj maestro y controlador Eclipse 384 de Antelope Audio.
Davis añadió recientemente el convertidor masterizador Eclipse 384 mejorar su equipo de producción móvil tras verlo en la web de Antelope Audio. El convertidor A a D y D a A de 384 kHz es sincronizado usando el mismo reloj controlado en horno y la tecnología de sincronización de 64 bits acústicamente enfocada que se implementa en el conocido reloj maestro Trinity de Antelope Audio. El Eclipse 384 ofrece características adicionales adecuadas para aplicaciones de producción móvil, incluyendo dos auriculares amplificadores dedicados y una interfaz USB personalizada así como dos grandes medidores de pico en el panel frontal. Para simplificar el uso, los usuarios pueden crear hasta cinco preajustes de sus configuraciones favoritas a través del software de control compatible con OS X y Windows que pueden ser luego restauradas desde el panel de control del Eclipse 384.
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Category Archives: News summary
Alan Meyerson sigue fiel a la sincronización con Antelope Audio
Alan Meyerson, Music Scoring Mixer, Recordist and Producer
Santa Mónica, California, 11 de junio de 2012 – Como mezclador de composiciones musicales, grabador y productor desde principios de los 80, Alan Meyerson ha estado bien posicionado para observar la transición desde la producción y post-producción analógica a la digital en la industria cinematográfica. Con la proliferación de equipos de audio digitales en el estudio con el paso de los años, Meyerson ha recurrido a Antelope Audio para mantener la sincronización precisa del muestreo entre todos los dispositivos, instalando recientemente un reloj maestro universal de alta definición Isochrone Trinity.
Meyerson ha estado sincronizando con un modelo de Antelope Audio u otro desde que la empresa fuera creada en el 2005; él comenta: “Estoy muy familiarizado con lo que la sincronización hace al sonido, esa fue una de las razones por las que cambié a Antelope inicialmente. En el sistema que yo tenía, en cuanto coloqué el Antelope original, se notó una tremenda diferencia. La representación se volvió mucho más sólida. Fue una mejora instantánea”.
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Antelope Audio Meets Sound Engineering Students and Professionals at SAE Institute in Paris
Paris, France, May 29, 2012 — Antelope Audio with the hospitality of SAE Institute, Paris and the media partnership of Réalisason magazine organizes a whole day demo event of Antelope’s world-renowned converters and audio master clocks on June 20 (Wednesday) between 10:30 am and 6 pm.
The visitors will get acquainted with Antelope Audio’s portfolio and experience the unprecedented sound quality and precision provided by Eclipse 384, Trinity and the 10M Atomic Clock.
At 2:30 pm the audience will have the opportunity to attend a Fabrice Chantôme presentation. Fabrice is known for the sound post-production of various hit TV shows including Koh-Lanta and will share his first-hand experience with Antelope’s clocking technology.
Antelope Audio’s gear is used by the world’s top sound engineers in the best recording and mastering studios around the globe. The proprietary clocking technology has played a crucial role in the production of a number of blockbusters such as Avatar.
Meet Antelope Audio at SAE Institute, Paris, 45 Avenue Victor Hugo, on June 20, 10.30 am – 6 pm.
Antelope Audio presenta Rubicon, el primer preamplificador AD/DA atómico
Rubicon es un convertidor de 384 kHz, preamplificador de etapa de phono y amplificador de auriculares con un reloj atómico integrado.
Santa Mónica, California, 19 de abril de 2012 – Antelope Audio introducirá Rubicon, un innovador preamplificador de audio digital a 384 kHz que integra el reloj atómico mundialmente conocido 10M Rubidium. Rubicon satisface el constantemente creciente interés por el audio de alta definición, dirigiéndose a las necesidades específicas de los mayores de la electrónica de consumo de una reproducción precisa y detallada del sonido de estudio tanto en grabaciones analógicas como digitales. El nuevo aparato será presentado al público durante el High End Show de Munich, del 3 al 6 de Mayo.
Rubicon es el primer DAC que integra un reloj atómico de Rubidio, que es 100.000 veces más estable que un oscilador de cristal tradicional. Conjuntamente con la tecnología de Antelope de Reloj Acústicamente Enfocado de 64 bit, el reloj de Rubidio logra un gran avance en la gestión del jitter (fluctuación), mejorando la calidad del sonido de una forma sin precedentes. La misma tecnología se aplica en los relojes maestros emblemáticos de la marca, utilizados para conseguir éxitos de taquilla como Avatar y que están disponibles en los mejores estudios de grabación y masterización de todo el mundo.
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Antelope Audio Isochrone OCX Master Clock Helps Ensure System Clarity During Austin Music Festival
Inside an Auto Repair Shop and at Other Makeshift Performance Environments, Isochrone OCX Is a Worthy Complement to the Mixing Desk
Austin, TX, March 27, 2012 – Every spring, thousands of artists and tens of thousands of record industry professionals flock to Austin, TX for a jam-packed schedule of live music showcases featuring everyone from young, up-and-coming bands to seasoned veteran performers. For six days, live music can be heard at almost any time of day emerging from every conceivable venue in downtown Austin, from the city’s bars, clubs and concert halls to churches, parks and empty lots.
One such makeshift venue – an auto repair shop – this year served as the main stage at the BandPage HQ, where FOH engineer/system tech and production manager Patrick Mundy used an Antelope Audio Isochrone OCX master clock to ensure PA system clarity in the acoustically unfriendly environment. “This was my second year of working showcases at the festival and my second year bringing my Antelope clock,” says Mundy.
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Antelope Audio to Demonstrate Eclipse 384 A/D & D/A Converter, Master Clock and Monitor Controller at Musikmesse Frankfurt Trade Fair on March 21-24, 2012
Luna – Eclipse 384 Remote Control Prototype Also to be Unveiled at the International Music Business Fair
Frankfurt, Germany, March 16, 2012 — Antelope Audio will demonstrate its professional-grade 384 kHz A/D and D/A converter, master clock and monitoring controller at Musikmesse 2012 in Frankfurt between March 21st and March 24th at the Exhibition center in Hall 5.1, Stand C 55.
The Eclipse 384 is the first multifunctional audio device capable of providing 384 kHz A/D and D/A conversion clocked by Antelope’s 64-bit technology and powerful, flexible monitoring control. Previously, the Eclipse 384 won both the “Best of Show” and “Gear of the Year” awards from two highly respected industry publications shortly after its launch last October.
The upcoming Eclipse 384 remote control – Luna will be demonstrated in prototype form at the Musikmesse. It provides users with a flexible way of placing key aspects of the Eclipse 384 within reach of any listening position. With the exact same functions featured on the front of the Eclipse 384, Luna enables sound engineers to easily control the device while sitting in front of the console.
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Classical Audiophile Label 2L Relies on Zodiac Gold DAC to “Proof Listen” its High Resolution Masters
12-Time GRAMMY Nominee Morten Lindberg Specializes in Capturing Essence of the Performance in Various Norwegian Concert Halls, Cathedrals and Churches
Oslo, Norway, February 28, 2012 — Morten Lindberg is well-known in the audiophile community as head of 2L (Lindberg Lyd), a recording label based in Oslo, Norway that has been exporting its premium classical and folk recordings from Scandinavia for over a decade. Lindberg, who insists on extremely high quality production values throughout the entire recording, manufacturing and packaging processes, uses the Antelope Audio Zodiac Gold to ‘proof’ the carefully recorded 352.8 kHz/24-bit stereo master files before they are ever duplicated or distributed to the company’s discriminating international customers.
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Antelope’s Zodiac DACs with iPad Control Bring Extra Level of Convenience to Audiophiles and Music Lovers
Listeners Can Now Enjoy Up To 384 kHz High-Resolution Audio Files, Played from Their iPads
Santa Monica, February 14, 2012 — Antelope Audio’s Zodiac D/A converters are now compatible with iPad, allowing music lovers to enjoy pristine audio of up to 384 kHz, played and controlled from their iPad through the Zodiac DAC.
It is easy to connect and operate. Simply plug an Apple® Camera Connection Kit jack into the iPad and then plug in a USB cable to the Zodiac DAC – that’s it. The devices are connected. Then swiftly tap the Music App on the iPad and play the track.
New York City’s Masterdisk Counts on Antelope’s Trinity/10M Combination for its Image Stability and Sonic Integrity
World Renowned Mastering Facility Has Also Installed Several Zodiac DACs at Listening Stations to Maximize its Quality Control
New York, January 30, 2012 — Masterdisk, one of New York City’s foremost mastering facilities, has installed several of Antelope Audio’s Isochrone Trinity Master Clock and 10M Rubidium Atomic Clock units in its mastering suites, to maintain stereo imaging and the overall sonic integrity of projects passing through its studios. Masterdisk is installing multiple Antelope Audio Zodiac D/A converters at listening stations throughout the facility for quality control purposes.
According to owner Scott Hull, Masterdisk’s mastering suites were constructed with very high quality acoustics and solid grounding, and were already well clocked —therefore they did not appear to be candidates for improvement. “If it’s not broken, don’t fix it,” he says. Yet, the Antelope 10M — which incorporates a reference generator that is 100,000 times more accurate than the quartz oscillators in most equipment — and the Trinity, which offers 64-bit DSP and up to 384 kHz audio streaming, have had a noticeable impact on performance clocking the digital audio converters in the rooms.
Antelope Audio to Demonstrate its Zodiac Line of Digital-to-Analog Converters (DACs) at T.H.E. Show in Las Vegas
Zodiac D/A Converters (DACs) are Perfectly Suited for Home Listening Environments, Utilizing the Same Technologies Used by World-Famous Mastering Engineers
Las Vegas, January 9th, 2012 — Antelope Audio will demonstrate its audiophile-grade digital to analog converters (DACs) at T.H.E. Show in Las Vegas between Tuesday, January 10th and Friday, January 13th at The Flamingo Hotel, room 4044.
Antelope Audio’s high-end Zodiac D/A converters (DACs) are based on the company’s proprietary clocking and conversion technologies developed for world’s top mastering professionals and sound engineers in the music, film and television industries. Antelope brings to audiophiles’ home environment the highest audio quality available only at the leading and most technically demanding sound studios around the globe.
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